22/02/2015

Janys, I just met, "knew me" from flickr...

Janys took this photo of another photographer photographing me, a photographer.

She recognised my name from a group on flickr (50 plus) and was so happy we met face to face. 
Here is my photo of her, after we have spoken. She is warm and nice and you can see 'likes" me.
Chinese New Year

Less then 24 hours later, this photo of mine taken of Jenys enchanted to have met me, got into "bests of Flickr" and so far already 55 photographers favorited it, more then 8000 had seen it. It also brought me yesterday, 25,000 hits on my photos and new contacts to follow my images.

13/02/2015

The most popular tale: The very old woman and the death


From my YouTube videos, this diaporama is the most popular, where mostly the voice is important, and of course the tale,

"The old woman and the death" Hungarian folktale was translated and adapted by me, with around 750 having listened and looked to it so far on YouTube.

Enjoy, for the end of year, and may have a similar adventure... and persistence.

Once, upon the time, in a far away country...

08/02/2015

My mother's grandmather, Paula

I was 12 and she was 92, when... Listen. Told at Canal Café Theatre, told at Blackheath Theatre.

And of course, told to my grand children too.

True stories of my great grandma, Paula who told them to me when I was 12.

28/01/2015

"When I was ten the war caught up with me" performed Manchester Town hall

"True Stories with Grant Whisky" at Manchester Town hall with 400/500 audience and two big screens showing the performance so all can see it well.

It was from the beginning a decision to tell this story from the eyes of a ten years old me, and do not relate how I see it now with knowledge not even from what I learned a year later.

Another big decision was to add to it a part about "now" and link it with "holding hands" with the past: that leaves all with a warm feeling and also a non told but important second message.
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I changed the publication date in memory of 70 years commemoration of survivors.
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Asking Advice
Toastmasters to whom I told this story in my different clubs (it was each time from a project Manual speech), and asked advice, all gave me very useful advices.

Where should I stretch to hold the suspense longer, where should I change my face and make more pause, for example. Joanna Yates, producer of Spark London, helped me a lot to shorten and cut from my long initial beginning where I talked, for this story at least, a lot more of my cousin.

Telling it some other time, perhaps I could add back as different blocks can be taken out usually and added depending of the circumstances. But this story I told so many times that I learned it as is, and last year as I went to give a keynote in AYR, West of Scotland, I met two young women on the train and told them the story. It went so easy and they were fascinated.

26/01/2015

Ten years ago, first blog, first selfie

First Selfie published in my first blog Jan 2005
This was published ten years ago, the first day if not first note, of my first blog.

I begun to write daily, in French as I lived in Paris, of what was happening, of my photo workshops I took, and my grandchildren. I did not stop, for ten years. From zero to five, to fifty five, then 250 in best days, I was stunned that not only my blog was read, followed, but some begun their day reading it.

Most important, many wrote me that it inspired them and gave courage for their own life.

And persisting, continuing, day by day for ten years, I did prove : there IS life after 70.
I proved, one can begin new things, discover and enjoy never dreamed one's even.
And now, I have also a trace, if I have the courage to read them.

Who knows a good program to inverse a blog and be able to read, from beginning to end and not from end backward?

17/01/2015

9 recommended books (and others) from my bookshelf

Public speaking is telling stories, using humour, presenting them all together. And conveying an old wisdom in a new way. Here a few of my favourites I studied and read again and again, Each time discovering new nuggets and understanding deeper.

1st where all starts :
The Power of Personal Storytelling, Jack Maguire
Why, how to find, how to shape, how to remember the story parts, embed it in yourself.
- the speaking champion Malachi studied it before going all the way up to Las Vegas
- the renewed education Ambassador and well known workshop leader is studying it now too

2nd, Improving your storytelling, Doug Lipman
About finding "MIT": The Most Important Thing. Explains a lot also of our links between the audience, the story and the teller and relative, different the importance at each telling. Also the different kind of audiences and evenings; the joy of reaching each time the "one" who does needed it.

from my Books for Public Speaking3 th Wired for story, Lisa Cron,
Explains, what we expect from stories. How to hook the reader, delving deeper in "why" we are expecting, why it is important to go deep. Not easy to reach all the goals the book talks abut, but explained clearly what we are "wired for", need from a story.


4rd speak like Churchill, stand like Linkoln by James C. Humes
Secrets of history's great speakers. Easy to read, great "power technique"s. First chapter for example is  "The Power of Pause" that I learned to apply and it does give great results.

5th the Story Factor by Annette Simmons,
Influence and persuade at work through the art of storytelling in the enterprise and workplace. Why, how and what kind of stories to give in companies.

6. Be a great standup, by Logan Murray, London. He is also great workshop leader, I did attend three of his workshops. For all budding amateur comedians, the book explains some important basics, with examples of how to develop a "comedian eye".

7. Standup Comedy, the book by Judy Carter, 
First ever book about standup comedy, some great techniques, basics on humour. She has a chapter on the importance of "top the punch", how to use the punch line and add another to it. Very effective!

8. The naked presenter, Garr Reynolds,
Presenting with or without slides, but opening up going deep into your story. Opening yourself to draw the audience into your speech and your point of view.

9. Resonance, Nancy Duarte
Present visual stories that transform the audience.

Another time, I will add three more book to the list. All these books I read and studied and re-read., they all helped me to progress and added to the total. I am still in need to study them again, as at every stage we understand differently.

15/01/2015

Gig at Comedy School (back to perform after 3 years) as special guest


November 2012 after a refreshment workshop with the Comedy School.

I opened the show, alas I was allowed only seven minutes from ten prepared. But of course, one has to adapt each time.

This year I had my ten minutes at "Old folks jokes" but I do not have yet its video recording. And now, 10' also opening at Ivor Dembina's 'you should have listened to Ivor'. Went very well, made those present laugh a lot.

New tips to look for when you look at it the second time.

Listen to how I begin.
First recognising what everyone can see: I am old. (Later, then I am not English, but Hungarian.) It is good to recognise what they see and hear, then of course comes the surprises.

In my case proving that we old are "open minded" surprising those listening with 4 letter words.
Finally, toping by telling the tale about my daughter and she "not being there". That connects to all.

"Toping" is adding to a punch line without necessity to introduce, it also give it a more impromptu feeling. Like you just invented it, now for this audience. I top even more at the end.

Be aware that nor in Comedy or in Storytelling do you have to stick to the exact truth about time, names, durations, for example. It is very important to be "in the moment" - so my daughter really called me - but it was more then a year before, so what? I told it first the day it happened.

It is not important when other then make it seem more "fresh".

I still tell from time to time "I am 77" and it seems sexier year, easier to remember then 78 or 79.

Observe how I finish.
I segue with what come before, "I am a bit out of practice now, but" and 'top" again then give my most outrageous sentence. It work very well every time. But then, I do not stop but top it and top it, usually getting big laughs after laughs for the end. It is best to leave your best working part to the end, your second best at the beginning.

Note, that I found the sentence after six hours of workshop at Camden with Ivor Dembina, who probed deep into what is we do not tell usually because "that is what the audience is interested is enjoying best".  I hesitated for three month until I first tried it out. It does work each time.

Added to the routine (and make it grow with new frustrations)
There are some added parts that come the first here, from frustrations I got recently, just a little before I performed this, November 2012, of my teeth.

I also added the routine about my eyes (is it in this yet?) Later, I found a better way to introduce my Kindle (not in this performance yet). It does get a huge laughter as I talk about "size is import - sometimes" and let the audience think first of something else, as just before it I added a part that is about a message I got on Facebook. (see my later gigs for that).

Observe how I go from one part to the other.
Just before I performed I was told that I have to do only 7 minutes not 10 as I was promised. I had to cut some parts. Because the routine has been made in Parts, I could leave out some. But is is more difficult then as usually I put a word at the end of a routine to trigger in me and remind the next part.

All audience is not as receptive as this was. Sometimes parts go better or less depending whom listens.